TT3.57: Help Wanted

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MiniBanner“Lee, I’m talking to you.”

Lee jerked his gaze over towards Ms. Readman. “And I heard every word,” he assured her. “Unfortunately, my brain interpreted it as Spanish. Could you run it by me again?” A student sitting nearby let out a quiet laugh.

“Perspective drawing, Lee,” the art teacher said patiently, moving closer and indicating his empty page. “Are you having trouble understanding the assignment?”

“No, no, not at all,” Lee replied quickly. “Just spaced out for a moment, some things on my mind. I’ll get right to this.”

“Thank you, Lee, that would be appreciated,” Ms. Readman said wryly.  “Though do let me know if you’re having problems with your perspective?”

Lee nodded and watched his teacher continue her walk around the room. Letting out an almost inaudible sigh, he retrieved his ruler and began to mark down the requisite lines. A short distance away, Glen Oaks observed his classmate, a thoughtful expression on his face.


“Like, ohmigod!” Chartreuse breathed. “This is, you know, so totally cool! And Jeeves doesn’t even know about this place??”

“Obviously not,” Carrie said.

“Chartreuse, could you keep moving? We’re stuck in the passage,” Frank remarked.


TT3.56: Tone Down

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MiniBanner“Carrie! Carrie!!”

She began to turn at the sound of her name, yet was not fast enough to avoid being blindsided by the fast moving splash of colour that was Chartreuse.

“Carrie!” the pink haired girl repeated desperately, grabbing onto Carrie’s arm to keep her from falling over. “Thank goodness I spotted you! Listen, Corry doesn’t, like, believe me when I say someone’s out to kill him. We’ve got to use your powers so we can, you know, stop this terrible thing from happening!”

Carrie coughed. “Ahem. I’m sorry, what – was – that – Chartreuse?” she said, inclining her head towards the person standing next to her.

Chartreuse turned to look at Carrie’s red-headed companion. “Oh, hi Glen! Uhmmmm, I need to use Carrie’s powers of… persuasion! Mind if I borrow your date for a little while?”


Glen laughed. “It’s okay Carrie, I don’t mind. I could use a dance break, and was planning on watching Corry’s performance anyway. You go tend to the serious matters your friend is referring to.”

“I’m sure they’re not that serious,” Carrie protested. It didn’t matter – Chartreuse had already muttered a quick thanks and was pushing her towards the hallway. Sighing, Carrie allowed herself to be led into the nearest unlocked classroom before confronting the pink haired girl.


TT3.55: Tune Up

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3.08: TUNE UP

MiniBannerThe band hit the final chord as Corry finished singing. He turned to smile at them. “Great work, guys. Thanks for agreeing to the extra practice. We’ll knock ’em dead tomorrow night.”

Tim smiled back from where he sat behind the keyboard. Lee hit the cymbals and gave Corry a thumbs up. Sue adjusted the strap of her bass guitar.

“What was the significance of that song anyway?” Sue inquired. “Flying to the moon, it’s a little sappier than our normal fare.”

“Request from my sister,” Corry shrugged. “Reminds her of some animated TV show she likes. Actually, maybe we should wrap up today with something different?”

“Which one?” Lee inquired, spinning a drumstick in his hand.

“That one which is also a popular theme song,” Corry said. “Remember? It goes like this…”


TTC: Commentary 18

“Time & Tied” PARTS 51-52
1. Original Date Of Completion: JULY 14, 2002
2. What I Was Doing: Summer before Teachers’ College
3. Changes of note:
-Jean Chretien changed to being a communications filter instead of BEING PM. Originally Azure commented on past politics, Chartreuse the future, and Amber the present.
-Carrie’s thoughts at the end, including taking the trip back into Part 48.

“Time & Tied” PARTS 53-54
1. Original Date Of Completion: AUGUST 24, 2002
2. What I Was Doing: Summer before Teachers’ College
3. Changes of note:
-Placeholder psychologist name Sara Bellum (Darkwing Duck ref) changed; see below
-Producing more coins was a bigger issue, because February instead of September.
-Checking for Julie’s tracks in the snow became checking security footage.


SD Commission from Neil Buday


The updating of this story from “Semester Two” of Grade 11 (as written in 2002) to “Semester One” of Grade 12 (via edits in 2014 and now) progresses. Despite the time shift, no major changes have been necessary thus far, and most of the minor tweaks are a result of adding “Part 48”, where Carrie loops back to her birthday.

Part of the reason for having a commentary now is because this is the last of “Season Two” that I was able to complete in the summer of 2002 – as of September, I was in Teachers College, and had to cut back on my writing time for this story yet again. But another thing I completed that summer was a new “Opening Sequence” for “Season Two”… in fact I finished it on July 3, 2002, before the first episode itself had been finalized.

That’s below – first some quick notes about Chartreuse and Julie. I think whenever one creates characters, there’s a piece of them in the writer themselves. For Chartreuse, I feel the link to me is the weird and random thought processes. Which is not that hard to write. For Julie, it’s more the self questioning, and her becoming withdrawn.

While I don’t have first hand knowledge of Julie’s situation in terms of her family (mine is very supportive), I did go through a stage in university when I cut myself and sought psychological counselling. I’m also very hesitant about making friends. That’s what I’m drawing on for her scenes; I hope it’s realistic enough without hitting any triggers or massive implausibilities.

The name of Julie’s psychiatrist, “Doc Golden” is a shoutout to John Golden, once the only person to have commented on the 50+ individual T&T story posts thus far. (To my delight, there have been two others in the last 8 days.) I okayed it with him; he’s also been supportive with my personified math, we did a comic co-venture recently. Originally, I had a placeholder name (Sara Bellum) but I wanted to honour John here in the same way principal “Dell Hunt” comes from Scott Delahunt, my main beta reader.

I suppose the other link we could make between the characters and me is how both Chartreuse and Julie have a desire to please others, going about it in different ways. As does most of the cast, for that matter. Or so I think – feel free to correct my perceptions in the comments.


As mentioned in the “Season One” opening (see commentary #10), the music from the Japanese visual novel “Shuffle! (appearing in 2004) works surprisingly well with what I’d envisioned – as did the VISUALS from that novel (“The innumerable possibilities are now in your hands”). Huh.

Guess what? There was a spinoff sequel, “Tick! Tack!” in 2005. Guess what? THAT audio and video works surprisingly well with this “Season Two” opening. (“The sequel, but diverged from the destiny.”) It’s like someone’s pranking me, given how I wrote these first. Here’s a link, if you want to watch it with/before reading below. Which is again a direct cut-and-paste from 2002, apologies in advance for any typos or terminology. (Realism!)

Fade in on a close up of Carrie Waterson’s face. Pull back to reveal she is sitting in the frozen homeroom picture from OP1, with the caption “Homeroom 3; Class of 2001”. As we pull back, we hear Carrie’s voiceover, over music:

“What if you had the power within you to control time? To see all of history laid out before your eyes… to know what’s happening anywhere in the world at this very moment… to foretell future events with alarming accuracy. Well, I have this power. But it has come with a price.”

The caption suddenly ticks over to read “Class of 2002”. The image comes to life, with Carrie jumping up and running forward. Screen pauses on a waist-up shot as the caption CARRIE WATERSON flashes across the screen. Screen unpauses, and she moves offscreen to the right, revealing a guy with short brown hair, wearing glasses, who is trailing after her while looking down at a handful of notes. He looks up as the screen pauses, caption: FRANK DIJORA.

Frank continues offscreen to the right as two more people move in behind him, heading left. They are a girl with medium length brown hair and a tall blonde male who appears fairly athletic. He is smiling down at her, her expression is somewhat distant. A pocketwatch drops down between them to split the screen as the scene pauses, caption: JULIE LAMILLE. PHIL CLARKE.

Pocketwatch rises back up and Phil guides Juile off to the left as a boy with shoulder-length red hair runs in after them from the right, shouting at them. He is followed by his fraternal sister who has identically styled hair. Pocketwatch split screen with caption: CORRY VENITI. LAURIE VENITI.

They continue out as a girl with pink hair containing colourful bows enters, also following the others. A male with short red hair comes in too, going in the opposite direction (the same direction as Carrie and Frank did). He attracts the attention
of the girl as they pass. She turns to look at him just before the pocketwatch splits the screen with caption: CHARTREUSE VERMILION. GLEN OAKS.

Chartreuse frowns slightly as both of them proceed out of the picture. Camera shot now moves in slightly to show two people still standing where the original homeroom shot was taken, one is a shorter, depressed looking boy, the other a guy who his combing his somewhat unruly hair. Pocketwatch split screen with caption: TIM WHITBY. LEE KING.

Pocketwatch withdraws and camera turns to reveal that someone has actually been holding the pocketwatch. It’s a fairly short oriental girl with dark hair brought back into two small ponytails. She half smiles as she tucks the pocketwatch away in her jeans. Screen pauses with the caption: LUCI PRIMROSE.

Luci turns and walks away as a small square appears in the middle of the screen, flashing a montage of images. The square continuously grows in size as the pictures continue,
the sequence including:
-A black box with a lever on its side, sitting in a ravine.
-Carrie propped back up against the trunk of a tree, looking up at another girl with long, blonde hair.
-A 21 year old oriental girl writing in a diary.
-Frank peering out of the bushes at Glen, who is walking down the street.
-Corry standing at a microphone during a school dance.
-An older man with a concerned look watching Carrie, who is lying on a hospital bed.
-A waitress in a cafe handing some papers over to Lee.
-Julie sitting on a couch with Phil, her head on his shoulder.
-Laurie and Carrie next to each other in cheerleading outfits, shaking pompoms.
-Luci holding a candle and reaching for a file folder.
-Tim and Chartreuse waiting in the sitting room of someone’s house.
-Frank in a basement lab, peering down into the black box with the lever.

The last picture fills the screen, it’s Carrie staring out at you with golden eyes, her hair flowing out in waves behind her. She does not look pleased. Final chord for music.

A number of those pictures were illustrations I drew for previous parts. There was a “commercial bumper” for this series too – you may recall the first (in season one) was Carrie and Frank on a clock. This time: “Carrie and Frank attempt to raft down a swiftly flowing river.” I never tried to draw it.


XoversCSpoilers for Books 1 & 2 may now creep in, as some elements are unavoidable.

Let’s start with character. I don’t think I’ve ever matched the comedy stylings of Chartreuse’s story in my later writing. (I do try later in this very book; you can decide then if I in any way succeed.) In a sense, Chartreuse has presented the most bizarre backstory for a valley girl accent ever.

One of the things I had to be careful of was to not have any “like” or “you know” remarks in Chartreuse’s past dialogue. Did you notice the foreshadowing? The slight paradox is, if she’s telling the story, wouldn’t they be there? Well, it’s kind of through Carrie’s eyes, so if you squint, it works. And we now have an explanation for why Chartreuse speaks that way when her sister doesn’t, not to mention having that inflection in a small Canadian town. Assuming you believe the tale!

In the midst of that, Chartreuse surprised me with her bisexual nature. Theoretically, Tope could have been a guy, and while I admit I seem to have a thing for girl-girl love, that added complication between Chartreuse and Carrie felt somehow realistic. (Perhaps the interest is a fault of anime; in my personified math, ParaB and QT – the parabola and quartic – are in the same romance boat.) I don’t know if it puts a different spin on Chartreuse coming to Carrie’s aid back in Book 1. I do know it will influence things coming up.

On the Julie side of things, the main reason I made her rich way back in character design was so that there wouldn’t be a shortage of coins, what with the “date checking idea” presented in the recent part. Of course, with Julie being the antagonist (somewhat) in the first two books, I also knew that wouldn’t come into play until this point. Side bonus, it was handy having a teenager who could fund research or the like, if that was a route I wanted.

The other main character piece of late was the discussion between Frank and Luci, which I’d been somewhat foreshadowing in prior parts. No relationship is perfect, and there are some personality differences there. Recall also that neither of them are great about talking, between Luci dropping the romance bombshell only after she got aged up, and Frank’s need to wait before responding.

I’m hoping their conversation, sparked by the movie “Carrie”, worked well. (No idea if said movie was the original or the remake.) The dialogue gives me some feels, at the least, and tends to be tweaked less whenever I go back over it now. It also implies conversations between characters (like Luci and Chartreuse) outside of the main narrative, because you might have noticed, I’m doing weekly time skips. Which brings us to plot.

Yes, the time group is back together, but no, they’re not time travelling right away, and the characters will be into October before you know it. As I said in the last commentary, I go for the slow burn. The pieces are still being set up for a larger altercation – pieces including Linquist’s old lab – and all I can say is, I hope you agree that the eventual payoff will be worth it.

Coming up next, we’ll get to see a bit more of Glen, who got shunted to the side this past month, along with the trio who played much larger roles in the prior books: Lee, Tim and Laurie. Remember you can VOTE for T&T at “Top Web Fiction” – and much like the former TV show starring Frank Parker, the votes expire after seven days. (Here, have a link to my 7 Days AMV.)

Parts 51/52 were originally “The Visionaries”, thus the addition of “Tope Springs Eternal”, a play on how Tope’s accent is now “eternally” with Chartreuse. Parts 53/54 were originally “The Mansion”, so “Mental Strain” was the new title to harken at both Julie and Carrie’s mental issues.

Coming This Friday: Things go awry at another School Dance.

TT3.54: The Mansion

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MiniBanner“She’s not in the bathroom,” Carrie said as she emerged. “However, this was on the floor.” She held up a bottle of aspirin.

“Where could she be then?” Clarke said, a tinge of panic creeping into his voice. He cupped his hand to his mouth. “Julie? JULIE??”

“Calm down,” Luci soothed. “We’ll find her. Whatever happened, she can’t have gone far.”

“Maybe Jeeves or Mimi saw something?” Frank hypothesized.

Clarke shook his head. “They’re not here. Jeeves is out servicing the car, and Mimi doesn’t spend much time around the house any more, outside of meal times. She’s not keen on the whole fractured family situation.”

“Then let’s check the external security system,” Luci reasoned. “That will tell us whether Julie left, and whether anyone else came.”

Clarke brought them to the security room, where a quick verification confirmed that there had been no activity outside of the mansion. “So where could Julie be?” Clarke said desperately. “And why did we hear her scream?!”

“Is she afraid of spiders, maybe?” Carrie mused.


“Unless?” Frank said, turning to Luci.


TT3.53: Mental Strain

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MiniBannerJulie stared in silence at the shadows on her bedroom ceiling. For some reason, she was reminded of those Rorschach inkblot tests, the ones psychologists used to help check a person’s sanity.

How sane was she?

The regular counselling sessions with Dr. Golden had helped her to deal with emotional issues like love and trust, it was true. But she couldn’t explain to a regular psychologist about the attempt to kill their unborn self, by time traveling back to the week of their birth. Speaking of that to anyone, aside from the other time travellers, was liable to get her locked up. Or worse, put Carrie in additional danger. No, Julie would have to keep it to herself.

Maybe forever.

“They’re all here now,” Clarke said from the doorway.

Julie sat up. “All right then. Let’s talk time trips.” She swung her legs off the bed, stood, and headed past him, out the door.

“Jewels, are you sure you’re up for it?” Clarke asked, falling into step behind her. “They only called us this morning about the meeting. If it’s too fast–”

“Don’t worry,” Julie said, cutting him off. “I’m not about to wrestle the machine away from Carrie in order to finish what I started last year.”

“That’s not what I meant.”